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Minggu, 02 Agustus 2015

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104 min Gratuit Movie available from 2015-08-02
Director: Open Road Films
Stars: Shameik Moore, Tony Revolori, Kiersey Clemons
Character: Dom, Will Sherwood, Mr Bailey
Genre Movie: Comedy, Drama

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Julian CarringtonName : Julian Carrington / Alias : Globe and Mail
Even as Famuyiwa acknowledges the preconceptions that Malcolm's blackness engenders, he invites audiences to identify with the character on the basis of his relatable interests, aspirations and vulnerabilities.
Patrick DunnName : Patrick Dunn / Alias : Detroit News
When so many black movie characters are simple stereotypes, it's a pleasure to see a film with real wit about the benefits and pitfalls of playing to and against those expectations.
Brian TruittName : Brian Truitt / Alias : USA Today
Dope digs into racial culture in a real way with Malcolm struggling with the fact that he doesn't fit being a geek or a menace to society, and it's a hoot to root him on as he finds his place somewhere in between.
Robert AbeleName : Robert Abele / Alias : Los Angeles Times
"Dope" is, in the end, just another unfunny grab bag of stereotypes. Don't believe the hype.
Andrew O'HehirName : Andrew O'Hehir / Alias : Salon.com
"Dope" may be the perfect movie for the summer of 2015.
Alonso DuraldeName : Alonso Duralde / Alias : TheWrap
This vibrant film is a bit of a mess, but it's a beautiful one.
Rene RodriguezName : Rene Rodriguez / Alias : Miami Herald
Here is the rare movie overstuffed with memorable moments that would have been better if there had been fewer of them.
Alan ScherstuhlName : Alan Scherstuhl / Alias : Village Voice
Again and again, Dope puts us in Malcolm's Air Jordans, letting us sweat or fear or hope right with him.
Peter TraversName : Peter Travers / Alias : Rolling Stone
Shameik Moore gives a smashing breakout performance in a comedy of social expectation that plays like an exhilarating gift.
Soren AndersonName : Soren Anderson / Alias : Seattle Times
Moore, who's done some TV work and is also a singer and dancer, emerges as a genuine movie star in "Dope." He's very good looking and has charisma to burn, and he controls the screen in every scene he's in. Which is practically every scene.
Ignatiy VishnevetskyName : Ignatiy Vishnevetsky / Alias : AV Club
In an era full of indifferent, cookie-cutter indies, an excess of ideas and personality is hardly a bad thing.
Jordan HoffmanName : Jordan Hoffman / Alias : New York Daily News
The tone is fast and funny, with a modern "Risky Business" or "Ferris Bueller's Day Off" vibe, but there's an additional layer that stems from the violence of the neighborhood.
Mark FeeneyName : Mark Feeney / Alias : Boston Globe
"Dope" is too smart and lively to be dismissed. It's even original in its mixing of ingredients, however unoriginal those ingredients may be. But it's also unfeeling and, beneath its in-the-hood surface, as much a bit of artifice as a Wes Anderson movie.
Bilge EbiriName : Bilge Ebiri / Alias : New York Magazine/Vulture
It's a remorselessly entertaining, Frankenstein's monster of pop-culture borrowings and appropriations. So much so that it becomes very much its own thing.
James BerardinelliName : James Berardinelli / Alias : ReelViews
The film's ability to confound expectations while delivering some big laughs may be its most crowd-pleasing characteristic but the anti-stereotype message rings clear as a bell throughout.
Kyle SmithName : Kyle Smith / Alias : New York Post
As a comedy, the film isn't especially funny, and as a screwball drug caper a la "Go," it's raggedly plotted, with ridiculous coincidences popping up everywhere.
Dana StevensName : Dana Stevens / Alias : Slate
Dope's biggest strength lies in its affectionate and honest portrait of a different kind of young urban blackness than we're used to seeing on movie screens.
Mick LaSalleName : Mick LaSalle / Alias : San Francisco Chronicle
Shameik Moore is a forceful, sympathetic locus, with an appealing gentleness of spirit that in no way seems entirely innocent. There's a drive there. As for Zoe Kravitz, she is having one terrific year.
Cary DarlingName : Cary Darling / Alias : Fort Worth Star-Telegram/DFW.com
Be sure to stay for the end credits. No other summer-movie credit crawl is going to get audiences dusting off their old Running Man and Cabbage Patch dance moves like this one. Take that, Jurassic World.
Rafer GuzmanName : Rafer Guzman / Alias : Newsday
A freewheeling comedy about sex, drugs and identity politics.
Boyd van HoeijName : Boyd van Hoeij / Alias : Hollywood Reporter
A funny and often intelligent crowd-pleaser about three geeks who get smart about drug-dealing.
Peter HowellName : Peter Howell / Alias : Toronto Star
A narrative as freewheeling as this one might ordinarily daze and confuse. But Malcolm makes for such a forceful character, it's easy to go along with whatever direction he's headed in.
Joshua RothkopfName : Joshua Rothkopf / Alias : Time Out
Writer-director Rick Famuyiwa . doubles down on an applying-to-Harvard satire that both upends demographic expectations while insisting (at times a bit strenuously) that we all aim a little higher.
Ann HornadayName : Ann Hornaday / Alias : Washington Post
"Dope" is the bomb.
A.O. ScottName : A.O. Scott / Alias : New York Times
Mr. Famuyiwa . shoves disparate genre elements together as if pulling jigsaw puzzle pieces from a half-dozen different boxes, and if the finished work isn't quite convincing, it's still fun to look at.
Michael PhillipsName : Michael Phillips / Alias : Chicago Tribune
The tone of "Dope" is very interesting - funny, but rarely stupid-funny. The film does not wear its serious observations, about aspirations and realities and hypocrisies of all kinds (not just racial), in a heavy fashion.
Lindsey BahrName : Lindsey Bahr / Alias : Associated Press
A fantastical, slight, and occasionally fun, hip hop-scored romp.
Randy MyersName : Randy Myers / Alias : San Jose Mercury News
While Famuyiwa deserves the lion's share of acclaim for making "Dope" such an inventive, hyperactive and electrifying comedy, it is Moore who gives "Dope" its big heart.
Dennis HarveyName : Dennis Harvey / Alias : Variety
The cast, drawn from comedy, rap, TV, modeling and other spheres, is sharply on form throughout, as is Famuyiwa's direction; the pic's esprit is amplified by every editorial trick in the book, from split-screen to freeze-frames.
Joe MorgensternName : Joe Morgenstern / Alias : Wall Street Journal
If "Dope" were as earnest as Malcolm seems to be, you might expect it to be a bit of a bore. No worries on that count, though.
Kevin C. JohnsonName : Kevin C. Johnson / Alias : St. Louis Post-Dispatch
"Dope" is funny, slick and sharp.
Bill GoodykoontzName : Bill Goodykoontz / Alias : Arizona Republic
The acting is uniformly good. This is Moore's first big role, and he delivers a performance both entertaining and believable.
Colin CovertName : Colin Covert / Alias : Minneapolis Star Tribune
It's downright dainty as far as plot, but a mostly tasty layer cake of drugs, jokes, sex, jokes, cool young cast members, jokes, 1992 hip-hop, cartoony characters, a heist and a lot more jokes.


Source http://watch.putlockermovie.net/?id=3850214

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Sabtu, 01 Agustus 2015

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Here FREE Viewing ⚓ Good Kill HBO Viewing HD FREE Movie from SundanceTV this is secret for you, ⚓ Good Kill HBO Viewing HD FREE is Movie from IFC Films. Story, In the shadowy world of drone warfare, combat unfolds like a video game-only with real lives at stake. After six tours of duty, Air Force pilot Tom Egan (Ethan Hawke) yearns to get back into the cockpit of a real plane, but he now fights theTaliban from an air-conditioned box in the Las Vegas desert. When he and his crew start taking orders directly from the CIA, and the stakes are raised, Egan's nerves-and his relationship with his wife (Mad Men's January Jones)-begin to unravel. Revealing the psychological toll drone pilots endure as they are forced to witness the aftermath of their fight against insurgents, Andrew Niccol (Gattaca, Lord of War) directs this riveting insider's view of 21st-century warfare, in which operatives target enemies from half a world away. (C) IFC Films.

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103 min FREE Movie available from 2015-08-01
Director: IFC Films
Stars: January Jones, Zoe Kravitz, Ethan Hawke, Bruce Greenwood, Jake Abel, Peter Coyote, Alma Sisneros, Kristen Rakes, Dylan Kenin, Stafford Douglas, Michael Sheets, Jessica Stotz Harrell, Cory Kapahulehua, Rich Chavez, Sachie Capitani
Character: Molly Egan, Vera Suarez, Tom Egan, Jack Johns, Zimmer, Langley, Emily James, Iris, Capt Ed Christie, Billy, Danny, Airman Jean Jacobson, Senior Airman Miller, A1C Thomas Rutledge, Jesse Egan
Genre Movie: Drama, Thriller, Police

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Rafer GuzmanName : Rafer Guzman / Alias : Newsday
The discomfiting premise and a fine performance by Hawke make this somewhat thinly written drama worth seeing.
Peter TraversName : Peter Travers / Alias : Rolling Stone
Will gamers be the drone pilots of tomorrow? Will death lose its sting? Niccol conjectures all over the place. He's doing too much, pushing too hard. Condemn the guy or clone him? You be the judge.
Stephanie ZacharekName : Stephanie Zacharek / Alias : Village Voice
The picture is quiet, tense, and thoughtful.
Soren AndersonName : Soren Anderson / Alias : Seattle Times
Thoughtful and immensely gripping .
Cary DarlingName : Cary Darling / Alias : Fort Worth Star-Telegram/DFW.com
Directed and written by Andrew Niccol (whose phenomenal 1997 film Gattaca also starred Hawke), and supposedly "based on actual events," Good Kill raises important questions about the nature of modern warfare, but it is a bit heavy-handed and strained.
Sara StewartName : Sara Stewart / Alias : New York Post
Niccol's film may not be perfect, but it shines a light on a subject many viewers will know vaguely by name - and not much more.
Joe WilliamsName : Joe Williams / Alias : St. Louis Post-Dispatch
We need to have a dialogue about the wages of war in the remote-control era. But it's hard to spark a good dialogue with movies whose dialogue is so bad.
Anthony LaneName : Anthony Lane / Alias : New Yorker
Hawke is on a roll right now, and "Good Kill" stirs him to another performance of cogency and zeal. Is it sufficient, however, to support an entire movie?
Colin CovertName : Colin Covert / Alias : Minneapolis Star Tribune
How long can you push that button before feeling like an assassin? How do you relate to teammates who say that's exactly the right thing to do?
James BerardinelliName : James Berardinelli / Alias : ReelViews
Good Kill excels as a character study with Niccol's screenplay making Egan a fascinatingly conflicted and flawed individual and Ethan Hawke giving one of his best recent performances bringing the man to life.
Tirdad DerakhshaniName : Tirdad Derakhshani / Alias : Philadelphia Inquirer
One of the most insightful films about the War on Terror since 9/11.
Guy LodgeName : Guy Lodge / Alias : Variety
Andrew Niccol takes on the topical issue of drone strikes in a tense war drama notable for its tact and intelligence.
David EdelsteinName : David Edelstein / Alias : New York Magazine/Vulture
Potent enough to make me wish it were less clunky.
Brad WheelerName : Brad Wheeler / Alias : Globe and Mail
Good Kill is half-measure, with a redemptive ending that plays as safe and bogus.
Stephen WhittyName : Stephen Whitty / Alias : Newark Star-Ledger
What Niccol is really interested in . is what this kind of warfare does to the men and women pushing the buttons and adding up the numbers.
Bill GoodykoontzName : Bill Goodykoontz / Alias : Arizona Republic
This is repugnant stuff. But, at least in the film, there's no gray area.
Glenn WhippName : Glenn Whipp / Alias : Los Angeles Times
Where Niccol succeeds is in creating an atmosphere of self-loathing, both for those manning the drones and the audience watching them work.
Justin ChangName : Justin Chang / Alias : NPR
It's a movie that hits every one of its ideological targets, but still winds up missing the mark.
Chris NashawatyName : Chris Nashawaty / Alias : Entertainment Weekly
Good Kill is well-intentioned, but the topic of joystick combat needs more nuanced treatment than it gets here.
Richard RoeperName : Richard Roeper / Alias : Chicago Sun-Times
But the visuals pack a visceral punch. Every time Tom zeroes in on a target, every time he pushes that button, what we see on those monitors is brutally authentic.
Ann HornadayName : Ann Hornaday / Alias : Washington Post
For the most part, "Good Kill" asks pertinent, enduring questions, not by way of polemic, but through the study of a character whose professionalism and competence are given full respect, even when they're challenged by the mission at hand.
A.A. DowdName : A.A. Dowd / Alias : AV Club
Heavy on speeches and light on actual drama.
Tom LongName : Tom Long / Alias : Detroit News
"Good Kill" is darkly enlightening, but it's not really all that good.
Ben SachsName : Ben Sachs / Alias : Chicago Reader
The bold, confrontational tone commands one's attention, and the cast - which also includes Bruce Greenwood and Zoe Kravitz - is superb.
David RooneyName : David Rooney / Alias : Hollywood Reporter
Psychologically complex and unsettling .
Tom HuddlestonName : Tom Huddleston / Alias : Time Out
A sombre, intelligent drama that critiques Obama's ongoing drone policy while still positioning its button-pushing characters as tortured anti-heroes.
Joe NeumaierName : Joe Neumaier / Alias : New York Daily News
It's all far more unsettling than any horror film.
Ty BurrName : Ty Burr / Alias : Boston Globe
"Good Kill" wants to use the movies as a Trojan horse to confront us with our international sins. It's a worthy effort, even if it's not a very well-built horse.
Stephen HoldenName : Stephen Holden / Alias : New York Times
Disregard the arguments for and against drone warfare advanced in "Good Kill," and the movie still makes a persuasive case that our blind infatuation with all-powerful technology is stripping us of our humanity.
Joe MorgensternName : Joe Morgenstern / Alias : Wall Street Journal
Compelling as the subject may be, its abstract nature would challenge the most skillful of dramatists, and Mr. Niccol's script seldom rises above slogans, argumentation and standard-brand domestic tension.


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