MovieMoka Detail : Unlimited Speed ☮ Montre Top Five Gratis ☮
102 min FREE MovieMoka available from 2015-07-31Director: Paramount Pictures
Stars: Rosario Dawson, Adam Sandler, Gabrielle Union, Whoopi Goldberg, Jerry Seinfeld
Character: Secret
Genre MovieMoka: Comedy
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You'll likely leave the theater smiling. And when's the last time you cold say that about a Chris Rock movie?
A romantic comedy that's also an extended riff on art, identity, authenticity and what it means to be a black entertainer .
"Top Five" has the bright, high-gloss feel of the most delicious wish-fulfillment fantasies, but it derives its spiky, propulsive energy from the adamantly forthright figure at its center.
Rock has said that he wanted to make a movie that captures the energy of his stand-up. Top Five fits the bill.
Rock's fast-talking rhythms are all over this movie, and they lift it up; it's like dropping in on a party full of funny people, and leaving before the evening fades.
Top Five finds Rock in an elevated form, at 49. Things change, sometimes for the better.
Rock is on a roll again.
"Top Five" may be Chris Rock's biggest and boldest film as a director and writer, but a sharper, smarter, realer script would have made it far more than just a lazy, lightweight laughfest.
[Rock is] still not all the way there in "Top Five," his third effort as writer-director-star. But the movie has so many laughs it hardly matters.
Just when it seemed like Chris Rock had already done plenty for the culture, along comes his latest work as a writer and director, "Top Five." And it's one of the most vibrant, sly romantic comedies this year.
Like Rock's best stand-up shows, Top Five mixes the sweet with the salty, the naughty with the remarkably kind. It celebrates the darkly hilarious with the light of whip-smart observations.
What lingers hours later aren't just the laughs but the people.
The movie, which alternates between hilariously vulgar gags and some electric improvs and riffs by Rock and his cast of all-stars, has the crackle and pop of a live performance - it energizes you.
On the surface, a lost-artist comedy in the vein of Woody Allen's Stardust Memories, but more deeply, a referendum on the dead-end choices Rock himself might be feeling.
The sweetest surprise in this raunchy comic ride is how artfully Rock lets down his guard. His confident, prowling wit as a stand-up has finally found its way to the screen, enhanced by a bracing vulnerability.
Chris Rock wrote, directed, and stars in this genial, splendidly constructed, occasionally hilarious comic drama with a reflexive twist.
It can be hard for a movie to dwell on the problems of the rich and famous without seeming a touch self-serving, but Rock always keeps things in perspective.
It's fun to watch Chris Rock; it's just fun. And there are parts of this film where it's fun to watch him in exactly the ways he wants it to be.
A seriously funny, semi-autobiographical film that might be the most accomplished work Chris Rock has ever done for the big screen.
The movie marks the first time Rock's stand-up persona - cutting, vulnerable, afraid of no sacred cows - has survived intact on the way to the multiplex. That alone is reason for fans to celebrate.
In "Top Five," you sense Rock trying to load all these disparate talents onto a conventional romantic-comedy structure. It's a close call, but it holds.
Top Five is a reminder that as often as comedy fails us, sometimes it's our best hope for resuscitation. Seeing it at the end of a crap week, I suddenly felt I could breathe again.
It can be delightful, intelligent, crude, clumsy and culturally tone-deaf, depending on which scene is rolling by. One minute it's a major letdown, the next minute a joy to watch.
An innovative take on familiar material, Top Five is an exquisitely paced, rich, idiosyncratic, satirical, yet deeply moving free-form comedy about a Hollywood star who is shadowed for one day by a New York Times reporter.
Top Five is Rock's most accomplished work yet, a truly personal story whose comedic riffs on love, race, sex, and celebrity are carefully woven into a credible romantic plot.
You come away from it with the thrilling sensation that you're seeing an artist you thought you knew reinvent himself.
The mess never coheres, but it sends off you on a high anyway.
As an actor, Rock doesn't create much of a spark with Dawson, and as a director, he tends to let scenes go on too long.
Rock's ambitious passion project - he wrote, directed and stars in it - is a bawdy, uninhibited yet thoughtful social satire about fame vs. artistic fulfillment.
Rock still hasn't figured out exactly what he wants you to think of him, but the way the film reflects that uncertainty may be the most interesting thing about it.
The writing is strong enough that when the humor gives way to drama in the second half, there's enough at stake to keep us interested, although Rock still has plenty of jokes in store for the finale.
To the writing, Rock brings the discipline of his stand-up. Even with some improvisation, there is not one throwaway line in this fat-free script.
Mr. Rock has made a pyrotechnic pinwheel of a personal comedy, and he's had the wisdom to share it with a strong co-star. While he sends sparks flying every which way, Rosario Dawson keeps the story grounded in calm intelligence and classic romance.
Welcome back, Chris Rock.
A disorganized, dawdling mess of a movie that is rarely anything less than charming.
"Top Five" is a funny movie, but Rock has his sights set higher than lowbrow, and for the most part, he succeeds.
It's a slap-happy movie and often scurrilously funny - the sound of a gifted comic mind finally finding its onscreen voice.
With "Top Five," Rock has finally made the transition to true movie stardom.
Raunchy in extremis, often funny and at times touching, "Top Five" is Chris Rock's sincere attempt to craft a film career largely detached from his stand-up clowning.
For an ostensibly soul-deep movie like this to work, we need more than smirks and scowls.
Extremely enjoyable .
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