Film Detail : The Babadook View Vevo FREE
103 min FREE Film available from 2015-07-12Director: IFC Films
Stars: Essie Davis, Noah Wiseman, Barbara West, Daniel Henshall, Hayley McElhinney
Character: Secret
Genre Film: Horror
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It's the most horror I've felt at a horror film since Neil Marshall's The Descent, one where the scares don't release the tension - they harrow.
Kent has taste, an eye and a knack for brisk, accelerated pacing. In the case of "The Babadook," familiarity breeds an eerily gratifying contentment.
"The Babadook" is a smart, darkly drawn modern-day horror movie of monsters, memories and mothers.
The Babadook makes everyday domestic life seem like the most natural possible place to encounter monsters of every description, including the monsters that we ourselves have the capacity to become.
Jennifer Kent's startling debut is an artful horror-chiller that gets under your skin and into your psyche.
Sometimes you go to a movie and know from the first image that whoever made it knows what she's doing. You don't need convincing. You're there with her. Jennifer Kent's The Babadook is like that.
In the running with Boyhood as my favorite movie of 2014 is another work that turns on the challenges of parenting. This one is a tad more insane.
As someone who has developed a pretty thick Critic's Shield from years of watching standard haunted house/possessed human/mythological-creature fare, I have to say I was genuinely freaked out by some of the passages in The Badabook.
Manages to deliver real, seat-grabbing jolts while also touching on more serious themes of loss, grief and other demons that can not be so easily vanquished.
This is a different kind of nail-biter that has less to do with demonic possession than with the renegade power of an untamed imagination.
A potent journey through the fears, anxieties, and repressed rages of motherhood.
"An exceptionally rich psychological portrait of a woman, it's an enormously compassionate and sadly relevant film about misplaced blame and the often impossible demands of motherhood."
A small film that packs a horribly big punch.
Credit writer-director Jennifer Kent for lending her Australian indie a healthy dose of brains and subtlety, giving it a distinct advantage over most modern horror films.
"The Babadook" is urgent, uncanny and entirely disturbing, a dream within a dream within a nightmare. It is the best English language supernatural film of this new century.
In an age when horror movies have mostly become lazy and toothless, here's one with ambition and bite.
This is a dark and shivery story about motherhood, a common subject for horror movies, but one that's rarely treated with such intelligence or seriousness of intent.
I like to imagine watching this chilling Australian horror film with late, great authors Shel Silverstein, Roald Dahl and Edward Gorey - all of whom would have relished its twisted children's storybook at the center of things.
Director Kent has made the kind of striking film that is going to have mainstream Hollywood haunting her like a Babadook in a bad mood. For the sake of her idiosyncratic vision, let's hope she doesn't frighten easily.
The Babadook makes the most of its special effects as needed, but this smart little frightener keeps its head close to the rising anxiety of a young widow whose husband died a violent death.
This is a really scary movie.
No matter how successful The Babadook turns out to be - and Jennifer Kent's horror story deserves all the success it gets - the prospects of a best-selling kid-lit tie-in don't look good.
Although the supernatural seems the likeliest answer, it's not the only one, and audiences can read the film either way.
The Babadook makes a convincing argument for classy, psychological horror cinema even as it fails to meet its own lofty standard.
Who thinks up a film like The Babadook? Actress-turned-debuting-feature-director Jennifer Kent has the narrative chutzpah to show her entire hand in the pop-up story and then make us squirm as foretold events come true.
This psychological thriller from gifted first-time filmmaker Jennifer Kent will have you climbing the walls simply by plumbing the violence of the mind. Brace yourself.
An impressively chilling exercise in old-school restraint.
With its mixture of frights both literal and literary, "The Babadook" will, I suspect, satisfy horror's devotees as much as the genre's doubters.
You will be scared. And also, perhaps even more scarily, moved.
Let a law be passed, requiring all horror films to be made by female directors.
One of the smartest and most effective horror films in years.
Shot in chilly shades of blue, "The Babadook" will haunt anyone who's ever heard a cry in the night - or wondered what was under the bed, in the dark.
What really distinguishes The Babadook, however, is the metaphorical potency of its narrative.
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