Movie Detail : While We're Young FREE Jouer Online
101 min FREE Movie available from 2015-07-22Director: A24
Stars: Naomi Watts, Amanda Seyfried, Ben Stiller
Character: Cornelia, Darby, Josh
Genre Movie: Comedy
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Putting one's finger on exactly what's wrong with "While We're Young" is a challenge. Best to use several fingers.
Stiller's scenes with the gifted Adam Driver escalate into generational comic warfare of a high order. Baumbach touches a raw nerve.
Another inconsequential Noah Baumbach parody of so-called "normal" people trying to function in a fractional society changing too rapidly to keep up with, While We're Young is a dreary bummer.
It's not Stiller's character who's the curmudgeon, it's Baumbach.
Baumbach may be the sharpest social satirist of his generation - in some ways, he's a Woody Allen with clearer vision and fewer nervous tics - but the message of this droll, enjoyable bourgeois vaudeville can be boiled down to Father Knows Best.
A sometimes poignant paean to struggling to age gracefully while time drags you kicking and screaming to the inevitable end, While We're Young effectively balances wry comedy and bittersweet drama.
Baumbach's confidently charming latest, plays more like a Woody Allen-ish parody than any of his other movies, but the shift hasn't required a sacrifice in insight, heart or bite.
A sharply observed and witty dark comedy.
"While We're Young" is snarky, smart and surprising, right up until the final shot.
"While We're Young" is one step forward and two steps back for writer-director Noah Baumbach, whose movies are never less than intelligent but, at their worst, tend to settle for gestures instead of movements.
The film has [Baumbach's] usual strengths: sharp urban insights, brainy comedy, moments of inspired high exasperation. It also shares a few of his faults.
Baumbach is never less than shrewd in the way he links his protagonists through insecurity.
Baumbach's eighth feature isn't just sharp, it's serrated - its jokes, and there are lots of them, come at you with rows and rows of tiny teeth.
Only the motives of Baumbach's alter ego are pure. Meanwhile, the most entertaining questions - Can people transcend wide age gaps? Should they want to? - turn out to be beside the point.
The most hilarious Woody Allen film in years is directed by Noah Baumbach, with Ben Stiller as basically an updated version of the idealistic documentary filmmaker the Woodman played in 'Crimes and Misdemeanors.'
The verbal wit and comic set-ups are smart and sprung from the zeitgeist.
Baumbach belongs in a select group of invaluable American directors. He makes movies built, increasingly, like traditionally structured studio comedies of an earlier age.
While We're Young may provide the fusion of two disparate narrative packages but the glass is only half-full.
Noah Baumbach's best movie since 2005's The Squid and the Whale, While We're Young navigates into more mainstream territory while losing none of the writer-director's rueful wit.
While We're Young pairs two New York couples, one middle-aged and anxious and the other millennial and carefree. Both are in for a satirical skewering, but also - and here's a change for Baumbach - something close to a hug.
If you've been wishing you could see a good Woody Allen comedy again, you should check out Noah Baumbach's While We're Young, which sees the 45-year-old director moving in on Allen's territory - the Manhattan comedy of manners.
This delicious satire about aging hipsters and their discontents is everything we've come to expect from the best of Noah Baumbach, as well as several things more.
It's a satire of endless youth, "The Kids Are All Right" colliding with "My Generation." Yet it's the best kind of grown-up absurdism.
The wonderful thing about While We're Young and the relationship that develops between Josh and Cornelia and Jamie and Darby is that it's less about resentment than it is a celebration of romantic love. At least initially.
Baumbach, whose films include the searingly funny, autobiographical The Squid and the Whale and the brilliantly uncomfortable Margot at the Wedding, writes wry, sharp, poignant stuff.
It shows a director not so much mooning over the past, with regret for faded powers, as probing his own obsessions and the limits of his style.
For about an hour, "While We're Young" was one of the most exhilarating times I've had at the movies in many a month. It played like razor-sharp Woody Allen in his prime.
When Baumbach is on, he's really on, and the brilliant "While We're Young" contains the same self-lacerating humor as his "Greenberg," "Margot at the Wedding" and "The Squid and the Whale."
The storytelling is smooth and assured and the one-liners are generally enjoyable.
Baumbach's own acutely observed this-is-life laffer features his most relatable characters yet.
Baumbach plays with universal themes about the uncertainty of aging, the elusive nature of "cool" and the acceptance that comes with settling down .
We know from his previous work that Baumbach is capable of writing much more interesting and full-conceived female characters than these, so the gender imbalance here is disappointing.
For a while much of this contemporary comedy is great fun - until the party ends and you're ready for these people to go home.
A sharp look at getting older, growing up and assuming responsibility.
While We're Young starts off as an empathetic, funny look at middle age and winds up as profound and schematic as a Neil Simon play - or, for the younger set, an episode of The New Girl.
The observant and mocking humor that makes the film's first two-thirds so breezy and enjoyable gives way to shattering realizations, but Baumbach ultimately tempers that instinct somewhat by exhibiting genuine sympathy for Stiller's character.
Even at its most confected, this is a film that tells the truth.
Only an artist at the midpoint between the maypole and maturity could concoct a comedy as potent as "While We're Young."
A knotty exploration of the dialectic between sincerity and authenticity, or the shifting relationship between truth and fiction in an age where we're no longer sure what those words mean .
I have some problems with this movie, not all of which can be ascribed to the usual narcissism of small differences. But first it's important to acknowledge the acuity of Mr. Baumbach's insight and his overall generosity of spirit.
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